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American Choral Directors Association

American Choral Directors Association

The mission of ACDA is to inspire excellence and nurture lifelong involvement in choral music for everyone through education, performance, composition and advocacy.

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music history

Spirit, Style, and Score— Preferred Choices and Practices in Singing the “Traditional Spiritual”

Choral settings of the African American spiritual were first sung by the fabled Fisk Jubilee Singers after slavery. Composers like Dett, Dawson, Hall Johnson, and Work, and more recently, Hogan, built on these beginnings, making impressively artful settings of these songs. We are faced with the question, “How shall we sing this music?” This session […]

Jacksonville FL
James Benjamin Kinchen, Jr.

Filed Under: Interest Session Tagged With: multicultural, music history, Performance



Scholarship and Practice in the Performance of Early Choral Repertoire

This session focuses on the collaboration between a conductor and a scholar in the preparation of a program of medieval choral music. We discuss the creation of historically informed performance materials of chant and medieval polyphony and demonstrate how primary source material can inform the performance of medieval music for small choral ensembles. This session […]

Cincinnati OH.
Michael Fuchs

Filed Under: Interest Session Tagged With: music history, Performance, Repertoire



Masters in Miniature: Singing the Great Composers with a Smaller Choir

As conductors, we are aware of the canon of historical composers whose works are worthy of remembrance and performance with our choirs. However, it can be challenging to find authentic pieces by these composers that are appropriate for smaller ensembles. Drawing upon recent and older publications and internet-based resources, this session will highlight little-known sacred […]

Cincinnati OH.
David Rayl, Zebulon M. Highben

Filed Under: Interest Session Tagged With: music history, Repertoire



Origins of the English Choral Tradition and How the English Sing

The English are famous for their choral tradition. Yet, with the sixteenth-century reformations, the musically austere commonwealth in the seventeenth century, and relative lack of “home-grown” talent in the eighteenth and nineteenth centuries, one technically shouldn’t exist. This session will explore why and how the English sing, the origins of SATB scoring and the countertenor […]

Santa Barbara CA.
David Skinner

Filed Under: Interest Session Tagged With: music history



Accessible and Exciting Historical Repertoire

This session will be a reading session of dynamic and engaging historical music (from medieval through the Romantic eras) available from the Choral Public Domain Library. The selected works have been edited by Elizabeth Schauerto eliminate errors and will include music in a variety of choral voicing for all ability levels and ages.

Santa Barbara CA.
Elizabeth Schauer

Filed Under: Interest Session Tagged With: music history, Repertoire



William Levi Dawson and the Transformation of the Negro Spiritual

William Levi Dawson (1899–1990) was one of the towering figures of twentieth-century choral music. The son of a slave, he rose from humble beginnings in rural Alabama to become, at a relatively early age, the director of the Tuskegee Institute Choir. Dawson arranged many spirituals for his choir, including Ain-A That Good News, Ev’ry Time […]

Baltimore MD.
Vernon Huff

Filed Under: Interest Session Tagged With: multicultural, music history, Repertoire



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