• Sign In
  • Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
American Choral Directors Association

American Choral Directors Association

The mission of ACDA is to inspire excellence and nurture lifelong involvement in choral music for everyone through education, performance, composition and advocacy.

  • Conferences
    • Region Conferences
    • Children’s Choir Conductor Retreat
    • Symposium for Research in Choral Singing
    • 2027 National Conference
    • Conference Archives
  • Resources
    • Repertoire
      • College and University Choirs
      • Contemporary A Cappella
      • Show Choir
      •  Soprano Alto Choir Repertoire
      • Tenor Bass Choir Repertoire
      • 2025 National R&R Virtual Reading Sessions
      • 2023 Spring Reading Sessions
    • Education and Communication National Standing Committee
    • Research and Publications Committee
    • National Webinars
    • ChoralNet
    • Composer Resources
    • International Conductors Exchange Program
    • Career Center
    • Advocacy
    • Students
    • Archive Collections
  • Publications
    • Choral Journal
    • ChorTeach
    • International Journal of Research in Choral Singing
    • Hinshaw Music Series
  • About
    • About ACDA
    • ACDA Careers
    • ACDA Bylaws
    • ACDA Leadership
    • Advertising & Exhibiting
    • ACDA Awards & Competitions
    • Chapters and Regions
    • History
    • Leadership Tools
    • National Office & Staff
  • Membership
    • Individual Membership
    • Organizational Membership
    • Member Benefits
  • Donate
You are here: Home / IJRCS / “I Make This Look Good” Pathways, Successes, and Equity Issues Among Women in Choral Conducting

“I Make This Look Good” Pathways, Successes, and Equity Issues Among Women in Choral Conducting

Melissa Baughman and Mackenzie Heaney
International Journal of Research in Choral Singing
Volume: 14, page(s): 37-52
Published 2026

Abstract
Women in collegiate choral conducting have built long, successful careers while navigating gender equity challenges, which are often compounded by intersecting identities such as race, ethnicity, sexual orientation, and socio-economic status. Although existing research has explored their experiences, more in-depth qualitative inquiry grounded in gender equity-focused frameworks are needed. We employed a qualitative, multiple case study design to examine the successes, challenges, and equity issues faced by five women collegiate choral conductors. Guided by a critical feminist lens, we examined factors that empowered or challenged their careers, their experiences related to equity, and key elements of their success. Our findings provide an in-depth portrait of the support systems, challenges, and equity issues women choral conductors face as they navigate their personal and professional lives. We shared how their experiences aligned (or did not align) with prior research and highlighted implications for allyship. This study contributes to the growing body of literature on gender equity in music and offers actionable insights for fostering inclusivity within the field.

Keywords: choral conducting, collegiate conducting, gender bias, gender equity, women conductors

Read Article

Search the Archives

Categories

  • Choral Journal
  • ChorTeach
  • IJRCS
  • Interest Session

Recent Posts

  • IJRCS Volume 14
  • March/April 2026
  • February 2026
  • January 2026
  • November/December 2025

Footer

Connect with us

  • Facebook
  • Instagram
  • Twitter
  • YouTube
AppStore Google Play Store

Privacy Policy

 
American Choral Directors Association

PO Box 1705
Oklahoma City, OK 73101-1705
(405)232-8161

© 2026 American Choral Directors Association · All Rights Reserved.