Preview of the 2023 ACDA National Conference
Choral Journal
November/December 2022
-(Trans)itioning Voices: Inclusivity through Line Recombination
-The Aging Voice: Challenges and Exercises
-ACDA National Webinar Summary:
The Aging Voice
-Singing and Adolescent Males
-Vocal Pedagogy in Musical Theatre and Choral Music
-An Interview with Sharon A. Hansen
-Choral Pianist: The Unspoken Co-Leader
October 2022
September 2022
-Salamone Rossi’s Synagogue Motets: The 400th Anniversary
-Morten Lauridsen’s I Will Lift Up Mine Eyes: A Meditation on Psalm 121
-Sacred Choral Music Reviews
-Community and Collaboration through Choral Music: Reflections of Three ACDA
-Repertoire & Resources
-How to Live Long and Prosper as a Choral Music Educator
-Lift Every Voice Mentoring Program: A Reflection
-Film Review: “The Choir and Conductor”
August 2022
-K-12 Choral Conducting: An Overview of Publications and Resources
-The Overlooked Part-song for Mixed Voices in the United Kingdom and United States
-Wisdom of the Crowd: David Lang on Finding Community in His Participatory Choral Works
-Reflective Practice and the Choral Director
-Interview with Duncan Tuomi
-The 2022 ACDA Symposium for Research in Choral Singing Conference Report
-Recorded Sound
June/July 2022
-Social and Emotional Learning for Choirs
-From Matt to Matthew to All of Us: A Cathartic Transformation in Craig Hella Johnson’s Considering Matthew Shepard
-Evolving Identity: Four Works by Tarik O’Regan
-An Introduction to Jennifer Higdon’s Choral Works
-Streaming Live Music: What You Need to Know
-What’s in Your Vocal Model? Establishing a Voice Quality Ideal in the Choral Rehearsal
-Book Reviews
-Choral Journal Index for Vol 62
