The purpose of this basic qualitative study (Merriam & Tisdell, 2016) was to analyze Barbershop Harmony Society (BHS) judge perceptions of vocal and visual expression and what elements make up expressive performances. A secondary purpose was to explore how BHS judges perceived and utilized information gleaned from training. I interviewed ten current BHS judges from […]
IJRCS
Scoping the Literature of Transgender Singing: Experiences and Pedagogical Insights in Choral Contexts
Choral conductors have expressed interest in working with transgender singers more effectively, however, opportunities for professional development and resources in this area have been limited. This article reports a scoping review designed to explore the experiences of transgender singers in choral settings. Results offer insights for choral conductors seeking to enhance their support for this […]
Online Social Comparison and Impostor Phenomenon Among Choral Music Educators
The purpose of this study was to examine the degree to which selected demographic variables and online social comparison predict Impostor Phenomenon (IP) among choral music educators. Participants (N = 143) provided demographic information and completed an adapted version of the Iowa Netherlands Social Comparison Orientation Measure (INCOM) and the Clance Impostor Scale (CIPS). IP […]
Embodying the Music: A Survey of Choral Music Educators on Conducting Injury and Wellness Techniques
The purpose of this exploratory study was to identify the most common choral conducting-related injuries, and determine the ways conductors completing the survey have adapted their physical gesture to accommodate or avoid pain and discomfort. Utilizing a researcher-designed online survey, we asked choral music educators to identify and describe musculoskeletal and vocal injuries sustained throughout […]
Sacred Concert and Spirituals Selections in a 2021-2022 School Choral Catalog
Sacred music from Christian perspectives has been sung in public schools since the inception of music programs, but students would benefit from singing sacred music from a broad spectrum of religious traditions. Music vendors, key stakeholders in marketing and selling music selections to United States music educators and their students, commonly use the term sacred […]
Women Conductors of College Men’s Choirs – Redefining the “Brotherhood”
Collegiate men’s choirs have unique and storied traditions dating back to the Civil War and the founding of many prominent colleges in the United States (Albinder & Jones, 2008). Historically, these ensembles created a place for fraternity, brotherhood, and social outlets for young men (Jones, 2010). Consequently, there are few documented instances of women conducting […]
