Choral Journal

-Social and Emotional Learning for Choirs
-From Matt to Matthew to All of Us: A Cathartic Transformation in Craig Hella Johnson’s Considering Matthew Shepard
-Evolving Identity: Four Works by Tarik O’Regan
-An Introduction to Jennifer Higdon’s Choral Works
-Streaming Live Music: What You Need to Know
-What’s in Your Vocal Model? Establishing a Voice Quality Ideal in the Choral Rehearsal
-Book Reviews
-Choral Journal Index for Vol 62

-Flowers Among Thorns: A Study of Indianas by Carlos Guastavino
-Rejuvenating France’s Choir School Tradition: An Interview with Mark Opstad
-Musical Moments with Philip Brunelle
-An Interview with Amanda Sprague Hanzlik
-The Informed Conductor: Score Study Considerations for the Beginning Conductor
-International Conductor Exchange Program Relaunches
-2022 Summer Festival and Workshop Listings

Preview of Performing Choirs, Special Events, and Interest Sessions at the 6 ACDA Region Conferences

-Healthy Minimization of Vibrato: An Exploration of “Straight Tone”
-Examining Choral Music with a Rhetorical Perspective
-American Christian Orthodox Choral Music
-Encouraging Participation in Choral Ensembles
-Reinforcing Fundamentals through Gesture
-Consider Getting the Blues
-Repertoire Recommendations
-An Interview with Terry J. Barham
-Maintaining Boys’ Interest in Singing

-Utilizing the Principles of Storytelling to Design Engaging Concert Programs
-Who’s a Good Director? Dog-Training Strategies for Better Rehearsing
-How Will Your Choir be Judged? What Adjudicators Are Listening and Looking for at Festivals
-Lift Every Voice and Sing: Why African Americans Stand
-Michael Praetorius’ Nigra sum à 6: A Pedagogical Experiment
-On Resilience: A Conversation with Darla Bair
-Book Reviews

-Samuel Barber’s Interpretation of Choral Portamento
-Inside the Choral Classroom: Advice for the First-Year Teacher (Part 2)
-A Textual Analysis of Eleanor Daley’s Requiem
-Seven Essentials for Developing Voices in Choir: Part 2
-Trends in Young Male Puberty and the Changing Voice
-Reviewing the Los Angeles Master Chorale’s Virtual Performance of Reena Esmail’s TaReKiTa
-Critical Thinking in Rehearsals
-2021 Virtual Conference Recap