• Sign In
  • Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
American Choral Directors Association

American Choral Directors Association

The mission of ACDA is to inspire excellence and nurture lifelong involvement in choral music for everyone through education, performance, composition and advocacy.

  • Conferences
    • Region Conferences
    • Children’s Choir Conductor Retreat
    • Symposium for Research in Choral Singing
    • 2027 National Conference
    • Conference Archives
  • Resources
    • Repertoire
      • College and University Choirs
      • Contemporary A Cappella
      • Show Choir
      •  Soprano Alto Choir Repertoire
      • Tenor Bass Choir Repertoire
      • 2025 National R&R Virtual Reading Sessions
      • 2023 Spring Reading Sessions
    • Education and Communication National Standing Committee
    • Research and Publications Committee
    • National Webinars
    • ChoralNet
    • Composer Resources
    • International Conductors Exchange Program
    • Career Center
    • Advocacy
    • Students
    • Archive Collections
  • Publications
    • Choral Journal
    • ChorTeach
    • International Journal of Research in Choral Singing
    • Hinshaw Music Series
  • About
    • About ACDA
    • ACDA Careers
    • ACDA Bylaws
    • ACDA Leadership
    • Advertising & Exhibiting
    • ACDA Awards & Competitions
    • Chapters and Regions
    • History
    • Leadership Tools
    • National Office & Staff
  • Membership
    • Individual Membership
    • Organizational Membership
    • Member Benefits
  • Donate
You are here: Home / Archives for music history

music history

Owen’sPoetry Lecture: Britten’s War Requiem Talk

This lecture will explore the relationship between the poetry of Wilfred Owen and the Latin Requiem text in communicating Britten’s personal feelings about war. In addition, these texts will be related to Britten’s use of musical motifs and organizational structure in creating one of the most powerful, compelling, and aesthetically significant musical masterworks of modern […]

Dallas, TX
Dennis Shrock



Re-Discovering American Choral Music Before 1850

Context: It is safe to state that most music history classes focused on traditional Western music omit any mention of music from the United States until the end of the nineteenth century or early twentieth century when composers such as Beach, Ives, Copland, Barber, Bernstein, etc., begin to make an impact on the international musical […]

Dallas, TX
Alan Stevens



A Conductor’s Guide to the Preparation of J. S. Bach’s St. Matthew Passion.

Using the forces of the University of Cincinnati College-Conservatory of Music’s Chamber Choir, Philharmonia Orchestra, and student soloists, this session will identify for the conductor the necessary steps and important considerations in the rehearsal process of Bach’s masterwork. The session will illuminate the conductor’s tasks in initial, separate rehearsals of the chorus, orchestra, and soloists […]

Fort Wayne IN.
Earl Rivers



Zielenski in Venice: “Italian” Gems from Renaissance Poland

The music of Poland’s leading late Renaissance composers reveal much about the important relationship between Poland and Italy during the seventeenth century, and the striking influence the Italianate style had on Polish composers of the time. Mikolaj Zielenski, most notably, may have even studied with Giovanni Gabrieli; his choral works display typical Venetian influence, but […]

Reno NV.
Jordan Sramek



Breathing New Life into Music of the Renaissance

Renaissance choral scores, often with few or no helpful performance suggestions, can lead to shapeless, uninspired delivery of this beautiful and expressive music, leaving audiences and choirs non-plussed, and conductors discouraged in their efforts to educate, inform and entertain. In this hands-on session, Schauer will lead participants to examine and re-think performance of sacred and […]

Reno NV.
Elizabeth Schauer



The Spiritual as an American Art Form: Performance Practices and Comparisons to Gospel

This session will include a multimedia presentation of the history, composers, songs, and performance practices of the Negro Spiritual with a comparison to Gospel and the likenesses and differences of the two styles. The Palmetto Voices, directed by Sonja Sepúlveda, will demonstrate by singing arrangements, old and new, that the Spiritual is an unique American […]

Winston-Salem, NC
Sonja Sepúlveda



  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 6
  • Page 7
  • Page 8
  • Page 9
  • Go to Next Page »

Search the Archives

Categories

  • Choral Journal
  • ChorTeach
  • IJRCS
  • Interest Session

Recent Posts

  • IJRCS Volume 14
  • March/April 2026
  • February 2026
  • January 2026
  • November/December 2025

Footer

Connect with us

  • Facebook
  • Instagram
  • Twitter
  • YouTube
AppStore Google Play Store

Privacy Policy

 
American Choral Directors Association

PO Box 1705
Oklahoma City, OK 73101-1705
(405)232-8161

© 2026 American Choral Directors Association · All Rights Reserved.