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American Choral Directors Association

American Choral Directors Association

The mission of ACDA is to inspire excellence and nurture lifelong involvement in choral music for everyone through education, performance, composition and advocacy.

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You are here: Home / Archives for Performance

Performance

Inspiration: Breathing New Life into the Choral Music of the Renaissance

Published and public domain choral editions often give little or no information about the music other than cursory notes and limited editorial markings. Many conductors are often left to teach the music with little information to properly teach historical performance practices, languages, and make necessary editorial changes to the score. The purpose of this session […]

Des Moines IA.
Nicholaus B. Cummins



The Senses Collide: Connecting Artful Movement and Dynamic Formation in Performance

Kinesthetic connections activate the spirit, mind, and body, enhancing both technical and expressive pathways. This session will present movement principles partnered with art music in the context of traditional choral performance. The models explored in this session seek to augment the meaning and potency of the repertoire performed. Topics include the connection of body and […]

Seattle WA.
Kristina Caswell MacMullen



If it’s Baroque, Fix it!

There is much conversation about period performance practice these days. What is correct? What isn’t? What is too much? Is there really a need for this discussion?The answer to the last question is are sounding, “Yes!” Through the mastery of a few fundamental performance concepts, we can reinvigorate period music in a manner that keeps […]

Seattle WA.
Jerry McCoy



Exploring Bach’s Choir: Connecting Vocal Pedagogy, Leadership, and Performance Practice

A voice instructor and conductor-keyboardist present a collaborative performance of J.S. Bach’s cantata Christ lag in Todesbanden. With students from two universities, they explore an alternative model of performing Bach’s cantatas with soloists inspired by musicologists such as Joshua Rifkin and Andrew Parrott. Christ lag in Todesbanden is an exemplary cantata for exploring alternative possibilities […]

Seattle WA.
Timothy Westerhaus



Work Less, Get More: Ways of Building Musical Independence and Personal Responsibility from Your Ensemble

This session will focus on ways the conductor can build and instill personal responsibility for music making within the ensemble both in performance and rehearsal. Focus will be on three key components: 1. The development and expectations of the conductor, 2. The development and expectations of individual members of the ensemble, and 3. Ensemble-building skills […]

Jacksonville FL.
Ryan Hebert



Spirit, Style, and Score— Preferred Choices and Practices in Singing the “Traditional Spiritual”

Choral settings of the African American spiritual were first sung by the fabled Fisk Jubilee Singers after slavery. Composers like Dett, Dawson, Hall Johnson, and Work, and more recently, Hogan, built on these beginnings, making impressively artful settings of these songs. We are faced with the question, “How shall we sing this music?” This session […]

Jacksonville FL
James Benjamin Kinchen, Jr.



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