American Choral Directors Association
The mission of ACDA is to inspire excellence and nurture lifelong involvement in choral music for everyone through education, performance, composition and advocacy.
Pianist Rachel Kramer and conductor Catherine Roma will discuss the importance of building a strong conductor/pianist relationship and share tips about performance and rehearsal techniques they don’t teach in school. Effective verbal and non-verbal communication, proper preparation, joint musical research, and plenty of practice are among the topics discussed.
Providence, RIWorking from the musical context of a recently published concert version of Bernstein’s Mass, the session will demonstrate how to widen social boundaries, encourage musical diversity, and build community through the use of a uniquely American repertoire that links sacred and secular, pop and concert, gospel and jazz.
Providence, RI“Phrasing with your heaps,” or how to study, rehearse, and perform choral Cuban son, Caribbean bolero, vocal adaptations from the Krao Indians in Brazil, Andean tonada and cueca, Venezuelan joropo, and the Pan-American salsa. These styles comprise the repertoire of the 2012 ACDA Eastern Division Latin American Honor Choir.
Providence, RIThis clinic is for undergraduates preparing for student teaching in a choral setting, but is useful to teachers of choral methods courses. It introduces a fresh approach for engaging in critical listening skills of choral singing, and explores the development of quality choral performance stemming from rigorous and comprehensive rehearsals.
Providence, RIThis is a workshop celebrating the artistic intersections of choir and organ, proposing performance solutions for selected choral repertoire with organ, and answering some questions frequently voiced both by conductors and organists. Repertoire to be addressed: Handel’s Messiah, Mendelssohn’s Elijah, Fauré’s Requiem, Parry’s I Was Glad, and Phillips’ Antiphon.
Providence, RIIn this session, a panel will consider: What considerations should be involved in the performance of the music of a religious tradition unfamiliar to the director or to the ensemble? In what kinds of situations should an interfaith worship service be developed, and who should be invited? What creative, inspirational, and unifying non-worship experiences can […]
Madison, WI
