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American Choral Directors Association

American Choral Directors Association

The mission of ACDA is to inspire excellence and nurture lifelong involvement in choral music for everyone through education, performance, composition and advocacy.

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Sample Page

January 2011

Download the complete issue. Conference Preview Mendelssohn’s Elias (Elijah) International Concert Shabbat Service Music in Worship Service Jazz Night Concert Concert Choirs Interest Sessions Honor Choir Conductors

ChorTeach 2010 (2.2, 2.3, 2.4, 3.1)

2.2 – Winter 2010
2.3 – Spring 2010
2.4 – Summer 2010
3.1 – Fall 2010

December 2010

Download the complete issue. ARTICLES A Biography and A Conductors Analysis of Todor Popov’s Choral Cycles by Matthew Thomas Caine Choral Improvisation: Tensions and Resolutions by Patrick K. Freer Theme-Based Programs by Billy Baker New Voices in Research  Politics and Folk-Song Arrangement in the Works of Fernando Lopes Graca by Gregory W. Brown COLUMNS Repertoire […]

November 2010

Download Full Issue INSIDE Articles“I would Know My Shadow and My Light” An Examination of Sir Michael Tippett’s A Child of Our Time by David A. McConnell Sven-David Sandstrom’s Messiah: A Career of Writing for the Voice Part II: The 2009 Messiah by James Kallembach Carl Orff’s Carmina Burana: An Analysis of the Work’s Performance Practice on Commerical Recordings by […]

October 2010

Download the complete issue. ARTICLES Tips From the Podium: A Guest Conductor’s Perspective of the Honor Choir by Jeffrey Ward Sven-David Sandström’s Messiah: A Career of Writing for the VoicePart 1: An Introduction to the Music of Sven-David Sandström by James Kallembach How to Teach Overtone Singing To Your Choir by Stuart Hinds COLUMNS Repertoire & Standards […]

September 2010

Download the complete issue. ARTICLES Schumann’s Orchestration for Das Paradies und die Peri and Szenen aus Goethes Faust by Laura Tunbridge Whose Mourning? Schumann’s Die Requiem fur Mignon by Eftychia Papanikolaou Robert Schumann’s Choice of Repertory and Rehearsal Planning in His Career as a Choral Conductor by Gary W. Harwood Schumann’s Eusebius: His Beethovenian Origins in the Christian Liturgical Year by […]

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American Choral Directors Association

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