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American Choral Directors Association

American Choral Directors Association

The mission of ACDA is to inspire excellence and nurture lifelong involvement in choral music for everyone through education, performance, composition and advocacy.

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You are here: Home / Sample Page

Sample Page

November 1993

Download the complete issue Leonard Bernstein Remembered: A Lecture/ Interview with His Son, Alexander by Donald L. Trott The Arts in Crisis by Royce Saltzman Ensuring the Future of the Arts: School/Community Partnerships by Sandra L. Chapman Children’s Choir/College Partnerships: Unlikely But Successful Bedfellows by Bernard Gastler Choral-Orchestral Balance: A View from the Trombone Section […]

October 1993

Download the complete issue Musical Style and Gesture in the Choral Music of Libby Larsen by Douglas R. Boyer From Mountain Climbing to Composing: An Interview with Alan Hovhaness by Vance Wolverton Why Singers Quit by Harriet Simons The Sacred Choral Music of Samuel Adler by Bruce B. Campbell

September 1993

Download complete issue

August 1993

Download the complete issue (Missing Arvo article inside, article available below) Rachmaninov’s Choral Concerto in G Minor: A Century-old Icon in Sound by Anthony Antolini Georgy Sviridov’s Kursk Songs: Peasant Music Transformed by Peter Jermihov Discovering the Choral Music of Estonian Composer Arvo Pärt  by Lyn Schenbeck Choral Performance in Russia: An Interview with Vladimir Minin by […]

May 1993

Download the complete issue East Meets West: Choral Composers of the Eastern Mediterranean School by Joshua R. Jacobson Contemporary African Choral Art Music: An Intercultural Perspective by Patricia A. Kazarow Twentieth-Century Latin American Choral Music: An Introductory Survy by John McIntyre The Changing Concept of Desirable Tone Quality in Samoan Choral Music by Robert Engle […]

April 1993

Download the complete issue. Edvard Grieg’s Swan Song: The Four Psalms, op. 74 by Bradley Ellingboe Edvard Grieg’s Music for Male Chorus: Forgotten Gems from Norway by John H. Peed Thomas Tallis’s Spem in alium and the “Ultimate Musical Experience” by John Stuhr-Rommereim

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