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Download entire journal here. Unifying Elements in the Mass and Winter Cantata by Vincent Persichetti by Terry Barham “No Guts, No Glory” Suggestions for Building a Vital Women’s Chorus by Gregory Vancil Menotti’s Medieval Menagerie Producing The Unicorn, the Gorgon and the Manticore by John Hopkins In Praise of Church Music by J. Perry White

Download complete issue. The Polish Requiem by Krzysztof Penderecki by Ray Robinson Dynamics in Performing Early American Choral Music by Leonard Van Camp Neglected Treasure—Heinrich Isaac’s Choralis Constantinus by James Feiszli The Face Factor by Frank Boggs

Download complete issue. For What Confessor Saint Did Mozart Compose His Vesperae solennes de Confessore, K. 339? by Richard H. Trame An Analytical Process Applied to Kodaly’s Missa Brevis by Catherine J. Pickar Sir David Willcock: A Personal View by Ray Robinson Back to the Wall by John Lennon Training Young Voices: An Interview with […]

Download complete issue. Some Techniques for Achieving Better Choral Tone Through Vowel Purity by James Baldwin America’s Choral Conductors—How Healthy Are They? by Harriet Simons Choral Part-Books Then and Now by Kenneth Butcher and Donald Studebaker The Choral Music Festival: Some Thoughts on How Better to Achieve High-Level Educational and Musical Goals Through a Well-Planned […]

Download entire journal here. A New Mozart Requiem by Ray Robinson Some Performance Suggestions for the Mozart Missae breves and Others of His Works by David C. Cassel Mozarts Grand Mass in C Minor K.427/417a by R. Paul Crabb Marriner on Mozart by Ronald Anderson The Life and Vocal Music of Daniel Purcell: A Reevaluation […]

Download the complete issue. Inside Bach’s Significance by Helmuth Rilling translated by Gordon Paine Performance of the Cantus Firmus “O Lamm Gottes unschuldig” in the Opening of Johann Sebastian Bach’s St. Matthew Passion by Wilhelm Ehmann translated by Brenda Smith Handel of Brook Street by Roger O. Doyle The Facial-Expression Factor: The Internal and External […]