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American Choral Directors Association

American Choral Directors Association

The mission of ACDA is to inspire excellence and nurture lifelong involvement in choral music for everyone through education, performance, composition and advocacy.

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You are here: Home / Sample Page

Sample Page

April 1980

Download the complete issue. The Use of Percussion in Early Music by Eric Nisula The Professional Choir in America by Paul Hill How to Avoid Singing in A Vulgar Manner by Charles Chapman The Shorter Works of Gustav Holst by Elmer Schock The use of Timber in Igor Stravinksy’s Mass by Timothy Banks

March 1980

Download complete issue. The Children’s Chorus: Instrument of Artistic Excellence by Doreen Rao Literacy for the Beginning and Intermediate High School Choir by Samuel D. Miller 1980 ACDA Northwest Division Convention 1980 ACDA Southwest Division Convention 1980 ACDA Southern Division Program Twentieth Century Music for Chorus and Guitar by Leon Buts 

February 1980

Download the complete issue. Choral Editing Standards: A Review by Kenneth E. Miller A Band Director Look at Choirs by Stuart J. Ling The Choral Music of Cecil Effinger by David Music Inside 1980 ACDA Southern Division Convention 1980 ACDA North Central Division Convention 1980 Northwestern Division Convention -Clinicians -Choirs

January 1980

Download the complete issue. Gian Carlo Menotti’s Mass by Ray Robinson Effective Rehearsal Time: What Research Has to Offer by Kenneth E. Murray Inside1980 Western, Southern, Eastern, Northwestern Division Conventions-Clinicians-Choirs-Program

December 1979

Download entire journal here. The Choral Scene in China 1979 – An Observation by William Ermey China 1979 – An Observation by Joan Blume Berlioz Requiem: Editions by David Janower Televising An Elizabethan Christmas Dinner by Jon O. Carlson The Male Chorus – One View in Retrospect by Fr. Richard H. Trame

November 1979

Download complete issue. Messiah: Orchestral Considerations by Robert Herrema On Orderly Conducting by Joseph M. Boonin The Score in Your Head, or Your Head in the Score? by Leland B. Sateren Technique Versus Creativity by Charles Smith

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