Download complete issue. ACDA People-to-People Mission, 1974 – Paris by Gary L. Unruh Conducting Practice in the Spanish Polyphonic Choral Tradition by Donald W. Forrester A Guide to Improving the Diction and Tone Quality of the Choir by Louis H. Diercks In Quest of Answers by Wilhelm Ehmann and Frances Poe Charles Ives 1874-1954 by Gordon H. Lamb New Approach […]
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September 1974
Download complete issue. The Musicologist Looks at Style in the Interpretation of Choral Music by Alice A. Moerk Knut Nystedt’s Compositional Style as Analyzed in “Praise to God” by Mike Talley Women in Choral Music by Jane S. Hardester What About Pre-Professional Training in Choral Conducting? by Bruce S. Browne Some Singers Went That Way! by John R. Van Nice
May 1974
Download complete issue. From Our Members by Bobby A. Ohler The Performance of Choral Music in America from 1852 to 1872 by Jon O. Carlson Who Says Your Singers Can’t be So-Fa? by Lane D. Justus Touring: How to Know When You Are Being Taken for a Ride by Russell Mathis Concepts for Choral Singing by John A. Pauls
April 1974
Download entire issue here. Practical Aspects of Our Art by Mary E. English Someday We’re Going to Get Organized by Susanne S. Schwartz and Carl E. Druba Three Schools of Black Choral Composers and Arrangers 1900-1970 by Carl G. Harris, Jr. Thoughts on “Making Lemonade Out of Lemons” by Melanie Henderson The Performance of Choral Music in America from […]
March 1974
Download complete issue. How Do You Relate to the Arts? by Robert M. Trotter Writing for Musicians by Ursula Vaughan Williams A Letter to a Dead Painter by Howard Warshaw Reflections on Modernism by Robert E. Partin The Relationship of Music and Painting by Nicholas Follansbee Sculpture and Music by Cornelia B. Foss Music and Dance by Betty Walberg Music and Architecture by […]
February 1974
Download the entire issue. Aspects of Choral Sonority by Morris J. Beachy Music Criticism Through the Eyes of a Neophyte by Richard W. Slater A Casual Look at Adjudication by William Schmitt What the Orchestral Musician Expects from the Choral Conductor by Johannes Somary The Employment of Dynamics in Interpreting the Music of Herinrich Schuetz and Hugo Distler by Klaus […]
