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American Choral Directors Association

American Choral Directors Association

The mission of ACDA is to inspire excellence and nurture lifelong involvement in choral music for everyone through education, performance, composition and advocacy.

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Sample Page

Sweat, Tears, and Jazz Hands— Show Choir: From Fred Waring to Glee

The history of show choir from Fred Waring to Glee. This informative talk will trace the roots of show choir—how it came about, what were its obstacles, what changed over time that let “show choir” become a household word and international phenomenon. A combination of talk and a wide range of selected vintage and current […]

Sure Fire Choral Techniques for Your Next Big Choral Orchestral Performance with You Conducting!

From crackling consonants to rich, uniform vowels, quick, easy, outside-the-box choral techniques to break the orchestral sound barrier. These ideas are a synthesis of thirty years with the Cleveland and San Francisco Symphony Choruses gleaned from Robert Shaw, Atlanta, Margaret Hillis, Chicago, and Robert Page, Cleveland Orchestra Choruses. Learn special color effects from printed examples […]

Soul Searching: Is It Time to Rethink the Conventional Model of Youth Choir?

This session will examine a comprehensive study on adolescent spirituality in the United States, focusing on challenges the study presents for congregations and choral musicians hoping to engage teenagers in the church.

Rutter: Confessions of a Composer

Repertoire and Rehearsal Strategies for Adolescent Singers in Vocal Transition: The Emerging SATB Choir

Middle school and high school choral directors across the country are always faced with the challenge of choosing repertoire that fits the voices of their singers—especially male singers. The constantly shifting vocal range of male and female adolescent singers makes it difficult to plan repertoire and assign vocal parts. This session will provide the participant […]

Re-Discovering American Choral Music Before 1850

Context: It is safe to state that most music history classes focused on traditional Western music omit any mention of music from the United States until the end of the nineteenth century or early twentieth century when composers such as Beach, Ives, Copland, Barber, Bernstein, etc., begin to make an impact on the international musical […]

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