The primary purpose of this study was to investigate the effects of vibrato and pitch-varied vocal
models on high school and undergraduate singers’ intonation and use of vibrato.
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January 2000
Download the complete issue. Divisions Eastern Division Central Division North Central Division Southern Division Northwestern Division Western Division Southwestern Division
December 1999
Download the complete issue Articles Ethnic Musics in Choral Performance: A Perspective on Problems by Anthony J. Palmer A Composer’s Dilemma: Andreas Hammerschmidt and the Lutheran Theology of Music by Jack Schmidt When the Orchestra Arrives by Thomas Lloyd 1998-99 All State Choirs: Choral Literature and Conductors by Rebecca R. Reames Interviews with William Hall […]
November 1999
Download the complete issue Articles ACDA’s Forty-Year Journey by Russell Mathis Job: An Oratorio by Peter Maxwell Davies by Jon Thompson A New Edition of Poulenc’s Gloria: Review and Errata List by Joe Hickman Expanding Church Music Repertoire: Smaller Sacred Choral Works with Orchestra edited by Timothy W. Sharp Prickly Puzzles and Daunting Dilemmas: Facing Fate, […]
October 1999
Download the complete issue Articles Mourning into Dancing: Dance Rhythms in J.S. Bach’s St. Matthew Passion by Helen H. Van Wyck Physical Metaphor in the Choral Rehearsal: A Gesture-Based Approach to Developing Vocal Skill and Musical Understanding by Ramona M. Wis An Interview with Vladimir Morosan by George S.T. Chu Overtone Singing: The Key to […]
September 1999
Download the complete issue Articles Baltic Portraits: Cyrillus Kreek–An Estonian Original by Vance Wolverton Practical Performance Practice for the “Good Hearted Cantor” (Then and Now) According to Michael Praetorius by Margaret Bourdreaux The Castrato Voice and the Spanish Court of the Eighteenth Century: A Sound Ideal to Consider by Nicolas Morales & Grover Wilkins Anatomy […]
