This session will give a general introduction of the special considerations for providing an inclusive environment for transgender or non-binary students in the choral music classroom. The goals will include developing a basic vocabulary of terminology specific to this population and to help create an awareness and sensitivity for successful work with these students. The […]
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Striking the Right Chord: Building a Sense of Harmony and Identity within the Non-Auditioned Choir
Choir directors face a myriad of challenges in building their choral programs, from recruiting and retaining singers to finding repertoire, to developing the desired choral sound in their choir. Directors of non-auditioned choirs, however, face a unique challenge: establishing a unified identify for their ensemble that makes students want to sign up for their choir. […]
So You Want to Start a Vocal Jazz Ensemble?
What does it take to start and develop a vocal jazz ensemble? What skills and resources (musical and otherwise) does a director need, and how are they developed? In this session, we will take a look at repertoire, stylistic issues, vocal technique, improvisation challenges, and sound reinforcement options. The Friends University Jazz Vocal Ensemble will […]
R.E.C.H.A.R.G.E.: Ideas to Rejuvenate or Reimagine Your Teaching
It never fails that attendees say that they look forward to “recharging” at SWACDA. But what does that mean? Aside from spending time with colleagues and being inspired by wonderful clinics and performances, what can you do to take that inspiration and make a tangible difference in your school, church, or community? Robert Ward will […]
Practical Singing: The Four Things about Singing Every Choir Director Should Know
Kevin Wilson, Director of Vocal Pedagogy at the Boston Conservatory at Berklee, will discuss the body systems at play for singing with current scientific research and vocal examples to help you communicate efficient voice use in the choral ensemble. Discussion will include the reality of lotion, potions, and myths in choral singing.
One Voice, One Sound, One Dream: Building a Meaningful Tenor/Bass Ensemble
For a male and a member of a Tenor/Bass choir, singing is built upon myriad emotions and experiences. Any current choral educator knows that it can be difficult for guys to be comfortable and open as singers and members of choirs. Tenor/Bass choirs need special attention regarding unique vocal pedagogy, distinct social dynamics, and often-neglected […]
