• Sign In
  • Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
American Choral Directors Association

American Choral Directors Association

The mission of ACDA is to inspire excellence and nurture lifelong involvement in choral music for everyone through education, performance, composition and advocacy.

  • Conferences
    • Region Conferences
    • Children’s Choir Conductor Retreat
    • Symposium for Research in Choral Singing
    • 2027 National Conference
    • Conference Archives
  • Resources
    • Repertoire
      • College and University Choirs
      • Contemporary A Cappella
      • Show Choir
      •  Soprano Alto Choir Repertoire
      • Tenor Bass Choir Repertoire
      • 2025 National R&R Virtual Reading Sessions
      • 2023 Spring Reading Sessions
    • Education and Communication National Standing Committee
    • Research and Publications Committee
    • National Webinars
    • ChoralNet
    • Composer Resources
    • International Conductors Exchange Program
    • Career Center
    • Advocacy
    • Students
    • Archive Collections
  • Publications
    • Choral Journal
    • ChorTeach
    • International Journal of Research in Choral Singing
    • Hinshaw Music Series
  • About
    • About ACDA
    • ACDA Careers
    • ACDA Bylaws
    • ACDA Leadership
    • Advertising & Exhibiting
    • ACDA Awards & Competitions
    • Chapters and Regions
    • History
    • Leadership Tools
    • National Office & Staff
  • Membership
    • Individual Membership
    • Organizational Membership
    • Member Benefits
  • Donate
You are here: Home / Sample Page

Sample Page

One Voice, One Sound, One Dream: Building a Meaningful Tenor/Bass Ensemble

For a male and a member of a Tenor/Bass choir, singing is built upon myriad emotions and experiences. Any current choral educator knows that it can be difficult for guys to be comfortable and open as singers and members of choirs. Tenor/Bass choirs need special attention regarding unique vocal pedagogy, distinct social dynamics, and often-neglected […]

On the Right Track: Conducting Exercises for Developing Listening, Gesture, and Creativity

This session includes a lecture and demonstration format with ENMU Chamber Singers and beginning conductors (along with audience participation). Examples of exercises for developing listening, gesture, creativity, and ownership will be implemented with all those in attendance. The process recommended here is aimed at relieving all students of self-consciousness and putting them in a position […]

Mentoring the New Choral Conductor: Creating a Meaningful, Lasting Relationship

The number of college students who will soon be new conductors and conductors with less than five years of experience is on the rise. Even with strong undergraduate programs preparing students through ensemble and studio work and methods classes, there is still much left to trial and error. What do you do when you are […]

Maximizing Rehearsal Efficience

An oft-repeated complaint is that there is never enough rehearsal time. On further analysis, however, a staggering amount of wasted time may be lost to a variety of pedagogically poor procedures. A minute here, two minutes there add up to significant amounts of lost rehearsal time. How do we maximize our rehearsal efficiency? It begins […]

Increasing Retention with Intergenerational Projects

Recruiting is only the first step! School and church music programs share a vested interest in young people: first engaging them in musical activities and then retaining them as they mature. We all hope that our musical programming will make life-long musicians of our young people, but by performing works that are consciously intergenerational, we […]

Healthy Vocal Technique for a Lifetime of Singing

This session will provide healthy vocal strategies for older singers. As we age vocally, we need to be reminded of good vocal technique.This workshop will include tips and suggestions for working with older singers in a variety of settings and improving tone production, breath support, and inner hearing. Vocal care will also be addressed.

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 39
  • Page 40
  • Page 41
  • Page 42
  • Page 43
  • Interim pages omitted …
  • Page 251
  • Go to Next Page »

Search the Archives

Categories

  • Choral Journal
  • ChorTeach
  • IJRCS
  • Interest Session

Recent Posts

  • IJRCS Volume 14
  • March/April 2026
  • February 2026
  • January 2026
  • November/December 2025

Footer

Connect with us

  • Facebook
  • Instagram
  • Twitter
  • YouTube
AppStore Google Play Store

Privacy Policy

 
American Choral Directors Association

PO Box 1705
Oklahoma City, OK 73101-1705
(405)232-8161

© 2026 American Choral Directors Association · All Rights Reserved.