The integration of embodied pedagogies has a long history in music education, and especially in choral singing (Benson, 2011; Ehmann, 1968; Jaques-Dalcroze, 1921). Manual mimicry gestures are hand movements that mirror the spatiotemporal attributes of speech sounds with an analogous gesture (Rusiewicz & Rivera, 2017). The present study investigated the effects of manual mimicry gestures […]
Sample Page
September 2000
Download the complete issue Articles Collaboration in the Choral Ensemble by Susan Wharton Conkling Textless Choral Music by Robert Reynolds Multiculturalism and the Choral Canon 1975-2000 by Dan Graves Twentieth-Century Choral Settings of Psalm 150 by John Koza
Choral Directors’ Self Report of Accommodations Made for Boys’ Changing Voices: A Twenty Year Replication
To explore possible changes in educators’ self-reported strategies used to accommodate changingvoices, we replicated survey data collected between 1998-2000 (Killian, 2003). The original survey,developed from strategies of 47 experienced directors, consisted of a checklist of accommodations (treble singers only, rewrite parts, sing an octave lower, assign non-singing responsibilities, separate choirs by TB or Treble) and […]
A Case Study of Herriman High School’s Advanced Treble Choir, Vivace
AbstractThe ensemble structure within a choral program can influence singers’ musical identities, motivation, and self-worth. The hierarchical organization of a choral program can also influence students’ experiences in choir. For example, students in treble choirs may develop musical skills, self-confidence, interpersonal skills, and group cohesion. However, traditional choral structures that position mixed choirs as the […]
Disrupting the Choral Class System: A Journey of One High School Choral Program
This case study sought to investigate one educator’s attempt to disrupt “the choral class system” within their public high school choral program. The following questions guided this research: (a) How does one teacher restructure a choral program to increase student access? (b) What meanings do student participants ascribe to participation? (c) What do the choral […]
Barbershop Harmony Society Judge Perceptions of Expressive Performances and Contest Adjudication
The purpose of this basic qualitative study (Merriam & Tisdell, 2016) was to analyze Barbershop Harmony Society (BHS) judge perceptions of vocal and visual expression and what elements make up expressive performances. A secondary purpose was to explore how BHS judges perceived and utilized information gleaned from training. I interviewed ten current BHS judges from […]
