This session will show how to start a jazz choir at the middle school level. Topics include voicings, amplification, literature, rehearsal techniques, and working with rhythm sections.
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The Grading Conundrum
Grades. What do they mean? How do we arrive at a grade for students?What is the difference between assessment and grading? What is fair grading practice? What about standards-based grading? Grading and assessment are not always addressed in pre-service music education but are part of the job of every music educator. This session is participatory […]
Finding the Passion, Breaking the Rules: The Music of Claudio Monteverdi
This session will consist of a lecture demonstration that will focus on Claudio Monteverdi’s revolutionary changes in vocal music. A guest choir will perform Monteverdi selections, and Joan Catoni Conlon will make brief interpretive comments on the music.
Creating the Conditions for Inspired Performance
Inspiring people through the power of music and words is the heart of the choral art, yet inspired performance is often seen as the by-product of technical achievement rather than the primary goal. This session offers an approach that puts artistic intent at the center of the rehearsal. Individual singers are encouraged to develop and […]
Conduct with Me, Breathe with Me: Effective Pedagogy through Empathy and Mirroring
Since their discovery, mirror neurons have been linked to everything from contagious yawning to emotional empathy. More recently, their role in conducting and the choral rehearsal has been featured as a part of various conferences and publications. This session will address current research in the areas of mirroring and empathy while attempting to clarify the […]
Using Circle Singing to Enliven Choral Creativity
Circle singing, a form of vocal improvisation devised by Bobby McFerrin, has the potential to transform choral music education and school choral performances. Living somewhere between notated choral music and purely improvised sounds, this process can lead students toward improvisation using elements of a more “traditional” choral experience. Circle singing presents a new possibility for […]
