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American Choral Directors Association

American Choral Directors Association

The mission of ACDA is to inspire excellence and nurture lifelong involvement in choral music for everyone through education, performance, composition and advocacy.

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You are here: Home / Sample Page

Sample Page

IJRCS Volume 10

In this issue:
 The Effects of Rehearsal Sequence on the Musical Expressivity of Young Voices
(C. Hurley, R. Atkins)
 Bivocational Music Teaching: Liminal Spaces Between Church and School
(N. Kruse)
 Proceedings of the 2022 ACDA International Symposium for Research in Choral Singing
-Keynote Address: Utilizing Multiple Research Methodologies to Examine the Intersections of Music, Race, and Food in Brazilian Culture: Applications to Research in Choral Music
(E. Dekaney)
-Abstracts
 The Impact of Manual Mimicry Gestures on the Learning of Sung German Phonemes
(C. Daley, H. Rusiewicz, J. Schreiber, J. Grabowski)
–Special Collection on Vocal Health
 Foreword: Advancing Vocal Health Research and Practice in Choral Singing Contexts
(J. Daugherty)
 Teaching What We Were Taught: A Survey of Choral Music Educators on Vocal Health, Anatomy, and Pedagogy (M. Grady and M. Brunkan)
 Singing Scientifically: A Content Analysis of Choral Journal and Science-Based Discussion of the Voice (A. Schmidt)
 Vocal Health During the Voice Change: Recollections and Recommendations of Collegiate Male Choral Singers (P. Freer)
 “Is Something Wrong With My Daughter’s Voice?” Parental Perceptions of the Female Adolescent Voice Change (J. Sale)
 Still singing after all these years – A Perceptual Study of Post-menopausal Singing Voice Behaviors with Implications for Singers, Voice Teachers, and Choral Conductors
(K. Kessler Price)
 Key Changes: Choral Directors’ Experiences with Gender-Inclusive Teaching (D. Cates)
 Undergraduate Singers’ Voice Use During an Intensive Week of Choir and Musical Rehearsals: A Case Study (M. Schloneger)
 Gospel Choir as a Space for Racial and Religious Expression for Black Students at a Predominantly White Institution (D. Pinto)

February 2022

-Diverse Embodiments: How COVID-19 Expanded Choral Practice
-The Choral Music of Florence Beatrice Smith Price
-Advice for the First-Year Teacher (Part 3)
-A Conductor’s Guide to Katarina Gimon’s Elements
-Book, Recorded Sound, Choral Reviews
-2023 National Conference Information

January 2022

Preview of Performing Choirs, Special Events, and Interest Sessions at the 6 ACDA Region Conferences

November/December 2021

-Healthy Minimization of Vibrato: An Exploration of “Straight Tone”
-Examining Choral Music with a Rhetorical Perspective
-American Christian Orthodox Choral Music
-Encouraging Participation in Choral Ensembles
-Reinforcing Fundamentals through Gesture
-Consider Getting the Blues
-Repertoire Recommendations
-An Interview with Terry J. Barham
-Maintaining Boys’ Interest in Singing

ChorTeach Fall 2021 (14.1)

-Forests of Song: Building Environmental Stewardship through Choral Singing

-Performance-Based Assessments in Choirs

-Who Should Attend Festivals? You!

-Words Are in the Mouth—Quality is in the Throat

-Choir Practices that I Plan to Use After the Pandemic

October 2021

-Remember You: Mental Health in a Life Dedicated to Choral Music
-Burnout Prevention for Conductors and Their Choirs
-Breath, Body, and Being: A Yoga-Inspired Choral “Practice”
-Sound Teaching: Trauma-Informed Pedagogy in Choir
-African American Spirituals in the Public-School Choral Ensemble: Our Most Powerful Weapon Against Racism
-Singing in Hebrew
-Representation, Mentorship, and Empowerment: Insights from Contemporary Female Choral Conductors

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